90 Royalty-Free Audio Tracks for "Text Sound"

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00:24
Placed a thick sweater fabric on a pillow and recorded me slapping it with an open hand. Great sweetener for punches. Cleaned recording with rx4. With a little bit of limiting, compression, and bass enhancement i'm sure this will sound great for your needs!. Equipment: zoom h5 and rodes ntg3. No processing. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:17
Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:38
Scraping a worker's boot against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:24
Scraping a cleat against some small rocks on dirt. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:16
I think i used stereo mics that came with my h5. Recorded on top of a parking garage right next to the airport. I caught this great sound early in the morning before city traffic could get busy enough to ruin the recording. Enhanced with ozone 6 and removed some bassy wind noise with rx5. I think i actually used this sound for various whooshes for my flash sound in flash v quicksilver. Https://www. Youtube. Com/watch?v=vwcqy-d0i_g&t=49s. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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03:51
I recorded my small house dog being scared. She's always scared for whatever reason and decides to whine. It is a very interesting sound because it almost like she's growling. I recorded her using my rode ntg3 plugged into my h5. Cleaned a bit of ac noise using rx5. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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02:45
A stereo recording of rain falling on my car window. Recorded inside my car with 2 nt5's positioned about 1/2 foot from the window. The rain drips harder at the end. Pluged into sound devices mixpre-6. The recording is pretty raw and i love it!. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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00:05
This is an audio concept for the flash vs quicksilver video from ismahawkhttps://youtu. Be/vwcqy-d0i_g. Jet rockets are the main element for the flash. A dentist drill is the main element for quicksilver. I used the waves doppler plugin and added reverb and delay to make it fit in an acoustic environment. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.
Author: Oscaraudiogeek
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00:42
I grabbed a metal mallet (mini sledgehammer) and dropped in on cement in various ways. Lightly and a bit harder. Recorded into my ntg3 in a garage sectioned off. Signal to noise ratio was really good because it was a loud sound. H5 was my recorded. Cleaned some hum using rx4. Boom!. Pretty please, post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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00:05
Sound file of a brief passage from Mozart's Piano Sonata in G, K. 283 Third movement, starting measure 247. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      
Author: Opus33 at English Wikipedia
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00:03
Sound file of passage from "Adelaide" by Beethoven, the first bars of the allegro molto section. Digital recording made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Opus33 at English Wikipedia
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00:11
Sound file of opening bars of "Adelaide" by Beethoven (piano reduction). Digital recording made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: Untitled
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00:13
I'm trying to create a sound that resembles captain america's shield from the marvel movies. I took a recording of a metal garbage can ringing and brought it into iris 2. I cut the attack from the envelope and added light amplitude sine wave modulation. I also set a short decay. I also layered a clean sine wave underneath the recording sample in order to give the recording more umph and body when it resonates. This is the base of captain america's shield. Layer this with metal impacts and sub sonic stings and you're all set. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Author: Oscaraudiogeek
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05:08
This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.
Author: Klangfabrik
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02:56
O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413
Author: Weir, Robert Stanley, 1856-1926
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00:51
A few different text message received sounds from iphone.
Author: Liberation
00:00
04:15
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Author: Gilbert and Sullivan; Edison Light Opera Company
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04:16
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Author: Gilbert and Sullivan; Edison Light Opera Company
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00:01
Watson's text to speech engine saying baba buoy.
Author: Firestorm
00:00
00:07
Sounds of highlighting many words with a marker pen/highlighter.
Author: Creatorsoundfree
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29:21
Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.
Author: Klankbeeld
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01:35
Different text / alert noises on phone.
Author: Katjajansen
00:00
00:03
A robot voice made with text-to-speech and voicechanger. Io. Sounds a bit like doctor who's cybermen (however, their voices were not made using text to speech back in the 60s/70s - they were made using an electrolarynx or vocoder.
Author: Chungusa
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00:25
Playing a text adventure on the choosatron. It sounds like a digital receipt printer.
Author: Qubodup
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:26
Used a few text-to-speech websites and a website that lets you apply effects to generate this. Sounds like a low-quality recording of a supervillain monologuing his master plan via planet-wide broadcast.
Author: Cactus
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
00:02
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Author: Streetpoptunez
00:00
01:58
This is the second result of fastica applied on this audio:. Https://freesound. Org/people/vollkornbrot/sounds/380165/. Full details about the process are in this scikit-learn tutorial i've written (the text is in brazilian portuguese):. Https://github. Com/danilobellini/notebooks/blob/master/2017-10-26_scikit-learn/mini-curso_scikit-learn. Ipynb.
Author: Danilobellini
00:00
01:49
Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.
Author: Makemi/Wipo of Burgundy
00:00
00:13
This is my naked voice. I didn´t modify anything. It doesn´t have much amplitude, maybe it sounds sad. . . This is a german poem "das gemeinsame schicksal" ("the shared fate"),written by friedrich schiller(1759 - 1805), a great german poet, a friend of goethe. Original text : " siehe, wir hassen, wir streiten, es trennet uns neigung und meinung, aber es bleichet indes dir sich die locke wie mir. "my translation : "look, we hate, we argue, our affectations and opinions drive a wedge between us. In the meantime your hair turns grey. Mine as well. ".
Author: Nilsb
00:00
07:17
Performance Conductor: Simon Schindler Ensemble: Fulda Symphonic Orchestra Location: Grosser Saal der Orangerie Fulda Work Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      
Author: user:OldakQuill
00:00
12:46
Sounds of orchestral drums that can be used for film scoring or making other kinds of soundtrack music. Begins with oneshots, there's also rolls, accents and phrases. This is synthesized with zynaddsubfx. Sequenced and rendered with lmms, eqd, normalized and edited with audacity. Paste the following text into a text file and import that as labels in audacity, you can then export multiple files from this one and have them properly named. A neat trick to put order into this sample collection, quickly (i did the hard work for you), it alsow is much easier to uplaod multiple files i this way, as describing them all would take ages. 0. 000000 30. 545306 oneshots 0130. 545306 61. 272766 oneshots 0261. 272766 92. 018435 oneshots 0392. 018435 123. 000884 oneshots 04123. 000884 153. 710113 oneshots 05153. 710113 184. 692562 oneshots 06184. 692562 244. 690340 oneshots 07244. 690340 304. 360249 oneshots 08304. 360249 309. 860952 roll short 01309. 860952 314. 924512 roll short 02314. 924512 320. 060930 roll short 03320. 060930 325. 124490 roll short 04325. 124490 330. 333787 roll short 05330. 333787 335. 506621 roll short 06335. 506621 340. 706803 roll short 07340. 706803 350. 915896 roll decelerating 01350. 915896 361. 115873 roll decelerating 02361. 115873 371. 534422 roll decelerating 03371. 534422 381. 989410 roll decelerating 04381. 989410 392. 189388 roll decelerating 05392. 189388 402. 498662 roll decelerating 06402. 498662 414. 647574 roll decelerating 07414. 647574 422. 752925 roll long 01422. 752925 430. 803628 roll long 02430. 803628 438. 854331 roll long 03438. 854331 446. 795737 roll long 04455. 101429 463. 152132 roll glide up 01463. 152132 471. 202834 roll glide up 02471. 202834 479. 326395 roll glide up 03479. 326395 487. 413537 roll glide up 04487. 413537 495. 500658 roll glide up 05495. 500658 503. 587800 roll glide down 01503. 587800 511. 565646 roll glide down 02511. 565646 519. 652766 roll glide down 03519. 652766 527. 776327 roll glide down 04527. 776327 535. 972744 roll glide down 05535. 972744 542. 019887 phrase a 01542. 019887 548. 176304 phrase a 02548. 176304 554. 296281 phrase a 03554. 296281 560. 379841 phrase a 04560. 379841 566. 463401 phrase a 05566. 463401 574. 696258 phrase a 06574. 696258 578. 666961 accent 01578. 666961 582. 819819 accent 02582. 819819 586. 899796 accent 03586. 899796 590. 761224 accent 04590. 761224 594. 768367 accent 05594. 768367 600. 997642 accent 06600. 997642 606. 316213 phrase b 01606. 316213 611. 634762 phrase b 02611. 634762 617. 026190 phrase b 03617. 026190 622. 344762 phrase b 04622. 344762 630. 431882 phrase b 05630. 431882 635. 714014 glide up 01635. 714014 640. 959728 glide up 02640. 959728 646. 387574 glide up 03646. 387574 651. 669705 glide up 04651. 669705 657. 061134 glide up 05657. 061134 662. 416122 glide up 06662. 416122 667. 698254 glide down 01667. 698254 673. 089683 glide down 02673. 089683 678. 444671 glide down 03678. 444671 683. 799660 glide down 04683. 799660 689. 045374 glide down 05689. 045374 695. 071319 glide down 06703. 454324 711. 891179 roll long 05711. 891179 720. 076735 roll long 06720. 076735 728. 540499 roll long 07728. 540499 733. 672177 wobble 01733. 672177 739. 129206 wobble 02739. 129206 744. 406735 wobble 03744. 406735 749. 731383 wobble 04749. 731383 755. 116599 wobble 05755. 116599 761. 650683 wobble 06.
Author: Unfa
00:00
01:11
A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.
Author: Makemi
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